Recently, I posted Richard Braeutigan's 1962 techno-poem "All watched over by machines of loving grace" - a hippie-technology fantasy, a vision of an IT- controlled smart-grid world.
Half a century later, for the poet Michael Robbins (educated by Guns N Roses, hip-hop and the University of Chicago), Braeutigan's vision definitively has turned into a technological nightmare. He seems to live in a world with unclear boundaries between video games and reality, a kind of i-nightmare, and in his poem he struggles with issues like hybrid creatures, terror, and his carbon footprint which has turned him into a "Yeti for the Sherpas". Machines of loving grace? Well, not exactly - anger has raised his "appetite for destruction":
—Michael Robbins
’cause boar’s the game I came here for.
I clear the jungle with the edge of my hand.
I make love to an ATM. I enrich uranium.
Dude, this aggression will not stand.
doesn’t know its right from wrong.
I’m uninsured. I ride the bus,
a loaded gun inside my purse.
My mouth’s a roadside bomb.
the RPG has martyred him.
His favorite song was “Crazy Train.”
I pity the Lord, pity the Flash,
I sleep through gynecology class.
drives the sherpas round the bend
into the village of the whup-ass can.
When I lie on my back in the ashy rain,
pigs drink from my cavernous groin.